![]() ![]() With staccato articulation, notes are separated from each other by clearly perceived gaps, which are achieved by shortening the duration of each note ( Mathiesen et al., 2020). As a result of the overlap between successive notes, the onset characteristics of legato notes are less apparent, and tend to sound gradual and smooth even for instruments that have fixed onset characteristics, such as piano. With legato articulation, the sound of each note finishes near or after the onset of the next note, such that the notes are connected and overlapping with each other ( Repp, 1999). The two most common categories of articulation are staccato and legato. Findings are discussed in relation to theories of music processing, with implications for music composition, performance, and pedagogy.Īrticulation is a fundamental component of musical expression and dictates how performers play the beginning and end of individual notes, and how much silence is heard between successive notes ( Handel, 1989 Juslin & Laukka, 2003 Lawson & Stowell, 1999 Snyder, 2000). The effect of articulation on perceived happiness and sadness was dependent on mode: staccato enhanced perceived happiness for minor melodies legato enhanced perceived sadness for minor melodies. For both modes, legato melodies were scarier than staccato melodies, whereas staccato melodies were more amusing and surprising. Experiment 2 ( n = 60) addressed whether articulation is associated with humor and fear in music, and whether the impact of articulation depends on major vs. Staccato melodies were perceived as having greater tension and energy. ![]() Legato melodies were rated more cohesive than staccato melodies and perceived as emotionally calmer and sadder than staccato melodies. ![]() Participants rated melodic cohesion and perceived emotions conveyed by 32 legato and 32 staccato melodies. Experiment 1 ( n = 64) addressed the impact of articulation on perceived melodic cohesion and perceived emotion expressed through melodies. ![]() Seven-note piano melodies were synthesized with staccato notes (short decay) or legato notes (gradual/sustained decay). Two experiments investigated perceptual and emotional consequences of note articulation in music by examining the degree to which participants perceived notes to be separated from each other in a musical phrase. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |